Showing Records: 61 - 80 of 189
Expose: Concrete Poetry / Saroyan A ; Cluver C ; Ockerse T ; Solt ME ; Williams E ; Jandl E ; DeVree P ; DeCampos A ; Nichol bp ; Kolar J ; Cobbing B ; Furnival J ; Houedard DS ; Bory JF ; Chopin H ; Gette PA ; Finlay IH ; Gomringer E ; Higgins D., 1970
Cover poem depicts a minimalist letter poem by Aram Saroyan. The dupicate does not have the 5 loose sheets. -- Source of annotation: Marvin or Ruth Sackner.
Factotumbook: Piano Album: Short Piano Pieces 1962-1984. No.26/Sep / Dick Higgins ; Williams E., 1980
Fall / Mayer, Hansjorg, editor ; Roth D ; Phillips T ; Williams E ; Latham J., 1992
The three covers have different collaged images taken from Tom Phillip's Words and Texts. -- Source of annotation: Marvin or Ruth Sackner.
Festival of Fantastics Roskilde / MacLow J ; Ben ; Knowles A ; Noel A ; Williams E ; Andersen E ; Corner P ; Hendricks G ; Koepcke A ; Watts B ; Tardos A., 1985
The page by Ann Noel resembles the "I" painting held by the Sackner Archive. No two I's are typographically repeated in this work. -- Source of annotation: Marvin or Ruth Sackner.
Fluxus Connection, The / Sandra Solimano, curator ; Brecht G ; Williams E ; Duchamp M ; Beuys J ; Vostell W ; Paik NJ ; Patterson B ; Ben ; Jones J ; Conz F ; Hansen A ; Dupuy J ; Filliou R ; Higgins D ; Knowles A ; Maciunas G ; Isou I ; Corner P ; Saito T ; Flynt H ; Cage J ; Martin H ; Skuber B ; Watts R ; Chiari G ; Miller L ; Ay-O ; Spoerri D ; Hendricks G ; Knizak M ; Kopcke A ; MacLow J ; Moorman C ; Ono Y ; Page R ; Schneemann C ; Skuber B., 2002
Francesco Conz contributed an essay "Winterreise" about his visits to Fluxus artists in Europe. Hannah Higgins writes about "Fluxus and the Sensible Thought c. 2001." -- Source of annotation: Marvin or Ruth Sackner.
Fluxus Etc.: The Gilbert and Lila Silverman Collection / Jon Hendricks, curator ; Higgins D ; Knizak M ; Sharits P ; Williams E ; Ben ; Knowles A ; Brecht G ; Cage J ; Friedman K ; MacLow J ; Ay-O ; deRidder W ; Filliou R ; Williams E ; Koepcke A ; Maciunas G ; Oldenbourg S ; Ono Y ; Paik NJ ; Patterson B ; Shiomi C ; Spoerri D ; Watts R., 1981
This exhibition catalogue describes the philosophy, attitudes, influences and purposes of Fluxus. It documents Fluxus editions, periodicals and bibliographic materials. Includes a chronology of Fluxus performances from 1962 to 1978. The exhibition was curated by Jon Hendricks. R.W, Smith: Massive exhibition of 683 works organized in three parts: Fluxus Editions & Related Works; Fluxus Periodicals and Documents, Related Publications and Bibliographic Material; and Fluxus Performance: Documentation of Events. Introduction by John Hendricks; A Complete History of Fluxus, Including Philosophy, Attitudes, Influences and Purposes (consisting of statements by Fluxus artists and Fluxus founder George Maciunas reproduced in facsimile); chronology of Fluxus Performance. -- Source of annotation: Marvin or Ruth Sackner.
Fluxus S.P.Q.R. / Emmett Williams, curator ; Brecht G ; Cage J ; Dupuy J ; Filliou R ; Hansen A ; Hendricks G ; Higgins D ; Knizak M ; Knowles A ; Maciunas G ; MacLow J ; Patterson B ; Serge III ; Saito T ; Ben ; Vostell W ; Watts R ; Williams E., 1990
Includes several illustrations of editions published by Francesco Conz and Sarenco. -- Source of annotation: Marvin or Ruth Sackner.
Freibord. No.100 / Gerhard Jaschke, editor ; Williams E ; Voss J ; Ruhm G ; Noel A ; Nitsch H ; Mon F ; Mayrocker F ; Jaschke G ; Huber C ; Herbst W ; Garnier P ; Gappmayr H ; Franzobel ; Achleitner F., 1997
The alphabetical letter pictures are 26 photographic sites listed on the inside cover onto which the letters are positioned. -- Source of annotation: Marvin or Ruth Sackner.
From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987
Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.
From Imagism to Concrete Poetry: Breakthrough or Blind Alley? / Cluver, Claus; Saroyan A; Solt ME; Williams E; Indiana R; DeCampos A; Gomringer E; Mallarme S., 1987
Cluver presents definitions of Concrete Poetry and its controversies. Robert Indiana's "LOVE" works and e.e. cummings poem "brIght" are analyzed. -- Source of annotation: Marvin or Ruth Sackner.
Funf Jahr Cappenberger Remise / Olbrich JO ; Williams E ; Knizak M., 1991
futura: Rotapoems. No.12 / Emmett Williams., 1966
Rotapoems, dedicated to Dieter Roth, are in fact 6 versions of a poem in Roth's lyrical collection "Scheisse," Providence 1966. They are a return to a form Williams first used in his book "Konkretionen," Krefeld 1959, and the "Litanies for Alison Knowles," placed in a musical landscape by Dick Higgins in 1966. The vowels of Roth's original poem are shifted progressively from version to version, resulting in constant sound changes and frequent alterations in sense. They are meant to be read aloud." -- Source of annotation: Marvin or Ruth Sackner.
Great Bear Pamphlet, A: Manifestos. No.8 / Dick Higgins, Emmett Williams, editors ; Ay-O ; Corner P ; Fahlstrom O ; Filliou R ; Giorno J ; Hansen A ; Higgins D ; Kaprow A ; Knowles A ; Paik NJ ; Rothenberg J ; Vostell W ; Watts R ; Williams E., 1966
Great Bear Pamphlet, A: The Last French-Fried Potato And Other Poems. No.19 / Emmett Williams., 1967
Hannah-Hoch-Preises / Williams, Emmett ; Schwitters K ; Hamilton R ; Roth D., 1996
This catalogue documents how in recent years, Williams has gone from composing classic concrete poems to adding visual ornamentations to them. -- Source of annotation: Marvin or Ruth Sackner.
Happening & Fluxus / Hans Sohm, curator ; Harald Szeemann, curator ; Higgins D ; Williams E ; Paik NJ ; Lebel JJ ; Spoerri D ; Beuys J ; Brecht G ; Sohm H ; Knowles A ; Ono Y ; Filliou R ; Saito T ; Maciunas G ; Hansen A ; Kaprow A ; Klintberg B ; Schneemann C ; Shiomi C ; Ben ; Watts R ; Vostell W., 1970
This exhibition was co-curated by Hans Sohm and consisted of material from his Archive. It included a chronology of Fluxus performances. Haralld Szeeman (1933-2005) was a Swiss curator and art historian whose Archive and Library was acquired by the Getty Research Institute in 2011. -- Source of annotation: Marvin or Ruth Sackner.
Hare Krishmas / Williams, Emmett., 1979
This greeting consists of the title printed in a highly stylized, yellow colored, calligraphic text on a blue background. -- Source of annotation: Marvin or Ruth Sackner.